(Fakulatas Seni Rupa dan Desain Institut Seni Indonesia Surakarta, Indonesia)(2) Danang Priyanto
(Fakulatas Seni Rupa dan Desain Institut Seni Indonesia Surakarta, Indonesia)*corresponding author
AbstractThis article carries the application of creating wayang beber patterns with sinjang batik techniques. This research aims to answer the endless question regarding the variation of batik patterns. Batik patterns are not only used in clothing but also as decoration. In this case, batik is used as decoration with wayang beber patterns using batik painting techniques. The research was carried out by making an example of a model, starting with looking for possible utilization by using a design from a computer graphics program. The research scope is limited by the creation of the wayang beber patterns and their application. The steps of designing are to create a prototype model, starting with conducting emic and ethical research. The next step is contemplating the whole pattern development design using digital technology. This is done by looking for suitability based on aesthetic principles and followed by pencantingan using the SGL-4332 series digital batik canting machine. For the final step, colouring is carried out using the batik painting technique, which is done manually using the rules of sungging gradation. This research produced a prototype model of wayang beber creation with batik techniques, which can be used by batik craftsmen to bring out new innovations in their work
KeywordsWayang beber; Digital batiks; Sungging; Gradation
|
DOIhttps://doi.org/10.31763/viperarts.v4i2.718 |
Article metrics10.31763/viperarts.v4i2.718 Abstract views : 1265 | PDF views : 262 |
Cite |
Full Text Download
|
References
[1] A. Shreyas Madhav, R. Rajaraman, S. Harini, and C. C. Kiliroor, “Application of artificial intelligence to enhance collection of E-waste: A potential solution for household WEEE collection and segregation in India,” Waste Manag. Res. J. a Sustain. Circ. Econ., vol. 40, no. 7, pp. 1047–1053, Jul. 2022, doi: 10.1177/0734242X211052846.
[2] B. Lipp and S. Maasen, “Techno-bio-politics. On Interfacing Life with and Through Technology,” Nanoethics, vol. 16, no. 1, pp. 133–150, Apr. 2022, doi: 10.1007/s11569-022-00413-2.
[3] S. De Ridder, “The Datafication of Intimacy: Mobile Dating Apps, Dependency, and Everyday Life,” Telev. New Media, vol. 23, no. 6, pp. 593–609, Sep. 2022, doi: 10.1177/15274764211052660.
[4] A. V. S. Madhav and A. K. Tyagi, “The World with Future Technologies (Post-COVID-19): Open Issues, Challenges, and the Road Ahead,” in Intelligent Interactive Multimedia Systems for e-Healthcare Applications, Singapore: Springer Singapore, 2022, pp. 411–452. doi: 10.1007/978-981-16-6542-4_22
[5] P. Budhwar, A. Malik, M. T. T. De Silva, and P. Thevisuthan, “Artificial intelligence – challenges and opportunities for international HRM: a review and research agenda,” Int. J. Hum. Resour. Manag., vol. 33, no. 6, pp. 1065–1097, Mar. 2022, doi: 10.1080/09585192.2022.2035161.
[6] M. Hader, D. Tchoffa, A. El Mhamedi, P. Ghodous, A. Dolgui, and A. Abouabdellah, “Applying integrated Blockchain and Big Data technologies to improve supply chain traceability and information sharing in the textile sector,” J. Ind. Inf. Integr., vol. 28, p. 100345, Jul. 2022, doi: 10.1016/j.jii.2022.100345.
[7] A. G. Sreedevi, T. Nitya Harshitha, V. Sugumaran, and P. Shankar, “Application of cognitive computing in healthcare, cybersecurity, big data and IoT: A literature review,” Inf. Process. Manag., vol. 59, no. 2, p. 102888, Mar. 2022, doi: 10.1016/j.ipm.2022.102888.
[8] A. Haleem, M. Javaid, M. A. Qadri, and R. Suman, “Understanding the role of digital technologies in education: A review,” Sustain. Oper. Comput., vol. 3, pp. 275–285, 2022, doi: 10.1016/j.susoc.2022.05.004.
[9] W. Wang et al., “BIM Information Integration Based VR Modeling in Digital Twins in Industry 5.0,” J. Ind. Inf. Integr., vol. 28, p. 100351, Jul. 2022, doi: 10.1016/j.jii.2022.100351.
[10] A. Kumar, “Panji in Javanese court literature and beyond,” Wacana, vol. 21, no. 1, p. 135, Apr. 2020, doi: 10.17510/wacana.v21i1.889.
[11] M. Perlman, “The Traditional Javanese Performing Arts in the Twilight of the New Order: Two Letters from Solo,” Indonesia, vol. 68, p. 1, Oct. 1999, doi: 10.2307/3351295.
[12] R. Critchfield, “Javanese villages: The view from below,” Society, vol. 17, no. 6, pp. 40–45, Sep. 1980, doi: 10.1007/BF03180779.
[13] P. Kitley, “Ornamentation and Originality: Involution in Javanese Batik,” Indonesia, vol. 53, p. 1, Apr. 1992, doi: 10.2307/3351111.
[14] T. Borshalina, “Marketing Strategy and the Development of Batik Trusmi in the Regency of Cirebon which Used Natural Coloring Matters,” Procedia - Soc. Behav. Sci., vol. 169, pp. 217–226, Jan. 2015, doi: 10.1016/j.sbspro.2015.01.305.
[15] T. Jones, “International intangible cultural heritage policy in the neighbourhood: an assessment and case study of Indonesia,” J. Cult. Geogr., vol. 35, no. 3, pp. 362–387, Sep. 2018, doi: 10.1080/08873631.2018.1429351.
[16] T. Ismail, L. S. Wiyantoro, Meutia, and M. Muchlish, “Strategy, Interactive Control System and National Culture: A Case Study of Batik Industry in Indonesia,” Procedia - Soc. Behav. Sci., vol. 65, pp. 33–38, Dec. 2012, doi: 10.1016/j.sbspro.2012.11.087.
[17] M. R. Ayu Palar, “The protection of intangible cultural resources in the Indonesian legal system,” in Intellectual Property, Cultural Property and Intangible Cultural Heritage, Routledge, 2017, pp. 221–240.doi: 10.4324/9781315714288-12
[18] M. Lis, “Contemporary Wayang Beber in Central Java,” Asian Theatr. J., vol. 31, no. 2, pp. 505–523, 2014, doi: 10.1353/atj.2014.0029.
[19] B. Grahita and T. Komma, “Identification of The Character Figure s Visual Style in Wayang Beber of Pacitan Painting,” Int. J. Asia Digit. Art Des. Assoc., vol. 18, no. 3, pp. 40–47, 2014. Available at: Google Scholar
[20] G. G. Roberts, “Understanding the Sequential Art of Comic Strips and Comic Books and Their Descendants in the Early Years of the New Millennium,” J. Am. Cult., vol. 27, no. 2, pp. 210–217, Jun. 2004, doi: 10.1111/j.1537-4726.2004.00131.x.
[21] M. I. Cohen, “Traditional and Popular Painting in Modern Java,” Archipel, vol. 69, no. 1, pp. 5–38, 2005, doi: 10.3406/arch.2005.3926.
[22] C. Tilley, “Introduction:Identity, place, landscape and heritage,” J. Mater. Cult., vol. 11, no. 1–2, pp. 7–32, Jul. 2006, doi: 10.1177/1359183506062990.
[23] Y. Zhu, “Identity Construction Between Nation Building and Nation Branding,” in Media Power and its Control in Contemporary China, Singapore: Springer Nature Singapore, 2022, pp. 195–230. doi: 10.1007/978-981-19-6917-1_7
[24] M. Csikszentmihalyi and R. E. Robinson, “Culture, Time, and the Development of Talent,” in The Systems Model of Creativity, Dordrecht: Springer Netherlands, 2014, pp. 27–46. doi: 10.1007/978-94-017-9085-7_3
[25] I. S. S. Sharifah, A. T. B. S. T. Nurul, and M. K. N. Khairusshima, “Thermal Modelling and Analysis of Batik Canting Design,” Procedia Eng., vol. 184, pp. 326–333, 2017, doi: 10.1016/j.proeng.2017.04.102.
[26] B. Kussudiardja, “Seni Lukis Batik,” Yogyakarta: Bentang Offset, 1993. Available at: Google Scholar
[27] A. Sudarwanto, Batik dan Simbol Keagungan Raja, 1st ed. Surakarta: LPKBN Citra Sains, 2012. Available at: Google Scholar
[28] A. Sudarwanto, “Penerapan Model Bentuk Tranformasi Menggunakan Teknik Karakter Terkuat Untuk Menghasilkan Motif Batik,” TEXTURE Art Cult. J., vol. 2 No 1, 2019. Available at: Google Scholar
[29] R. T. Manurung, A. Zulfikar, I. N. Sari, N. Kurniasih, K. Saddhono, and Y. B. Setiawan, “Internationalization of Batik in the Creative Industry of Harajutik,” in 1st International Conference on Life, Innovation, Change and Knowledge (ICLICK 2018), 2019, pp. 9–13. doi: 10.31227/osf.io/q6abv
[30] D. Nurcahyanti, “Local Wisdom in Traditional Batik Design,” in 5th Bandung Creative Movement International Conference on Creative Industries 2018 (5th BCM 2018), 2019, pp. 472–478. Available at: Google Scholar
[31] Z. M. E. Siregar, E. Ahman, and S. H. Senen, “Knowledge management, innovation, and firm performance: The case of Batik Industry in Indonesia,” Calitatea, vol. 21, no. 179, pp. 27–32, 2020. Available at: Google Scholar
[32] R. R. Priambudi, S. Alvianna, D. Hermin, and A. Rachmadian, “The Effect of Attractions, Facilities, and Prices on Customer Satisfaction at The Written Batik Celaket Center, Malang City,” Int. J. Res. Eng. Sci. Manag., vol. 5, no. 1, pp. 91–97, 2022. Available at: Google Scholar
[33] “Motives And Green Innovation Performance in Indonesian Small and Medium Enterprises Sme’s Batik - A Qualitative Case Study,” Qual. - Access to Success, vol. 23, no. 186, pp. 74–82, Feb. 2022, doi: 10.47750/QAS/23.186.10.
[34] Y. Y. Taum, “The problem of equilibrium in the Panji story: a tzvetan todorovs narratology perspective,” Int. J. Humanit. Stud., vol. 2, no. 1, pp. 90–100, Sep. 2018, doi: 10.24071/ijhs.v2i1.1583.
[35] E. A. O. Risky Febrian Pratama, “Analisis Visual Tokoh Panji Asmorobangun Dan Dewi Sekartaji Wayang Beber Pacitan Melalui Pendekatan Semiotika,” J. Pendidik. Seni Rupa, vol. 04, pp. 393–403, 2016. Available at: Google Scholar
[36] D. P. B. Asri, “Legal protection of culture in Indonesia through the World Heritage Center UNESCO,” in Culture and International Law, CRC Press, 2019, pp. 87–99. doi: 10.1201/9780429426032-8
[37] N. M. Daud, S. R. S. Abdullah, H. A. Hasan, N. ’Izzati Ismail, and Y. Dhokhikah, “Integrated physical-biological treatment system for batik industry wastewater: A review on process selection,” Sci. Total Environ., vol. 819, p. 152931, May 2022, doi: 10.1016/j.scitotenv.2022.152931.
[38] S. Susanto, Seni Kerajinan Batik Indonesia, 1st ed. Jakarta: Balai Penelitian Batik dan Kerajinan Lembaga Penelitian dan Pendidikan Industri, Departemen Perindustrian RI, 1980. Available at: Google Scholar
Refbacks
- There are currently no refbacks.
Copyright (c) 2022 Aan Sudarwanto
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
___________________________________________________________
International Journal of Visual and Performing Arts
ISSN 2684-9259
Published by Association for Scientific Computing Electronics and Engineering (ASCEE)
W: http://pubs2.ascee.org/index.php/viperarts
E: sularso@ascee.org
Organized by:
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0