(Art Education Study Program, Universitas Sebelas Maret, Surakarta, Jawa Tengah, Indonesia)(2) Endri Sintiana Murni
(Art Education Study Program, Universitas Sebelas Maret, Surakarta, Jawa Tengah, Indonesia)*corresponding author
AbstractIn addition to contributing to economic growth, the textile industry has the potential to produce large amounts of fabric waste, which often ends up in trash cans and pollutes the environment. Responding to these conditions, this study aims to explore the use of fabric waste as the main material in the creation of fiber art, evaluate environmental and economic benefits, and see positive impacts on society. This research uses an art practice-based approach to create fiber art from waste materials using weaving, collage, and patchwork techniques. The method includes collecting and selecting fabric waste based on the type of textile material, applying various artistic techniques, and analyzing the aesthetics and functionality of the artwork made. The results of the study show that textile waste created through a combination of weaving, collage, and patchwork techniques can produce artistic and aesthetic fiber artworks. This fiber artwork contributes to the concept of sustainability in fine art and emphasizes that fabric waste can be converted into creative products to extend the life cycle of materials. Thus, it can open new opportunities in the recycling-based creative industry.
KeywordsFiber art; Fabric waste; Textile waste; Sustainability
|
DOIhttps://doi.org/10.31763/viperarts.v7i1.1706 |
Article metrics10.31763/viperarts.v7i1.1706 Abstract views : 11 | PDF views : 0 |
Cite |
Full Text Download
|
References
[1] M. Paranjape and A. Athalye, “Fashion Technology & Textile Engineering Textile Waste Management- Innovative Separation Techniques,†Curr. Trends Fash. Technol. Text. Eng., vol. 9, no. 2, pp. 1–9, 2024, doi: 10.19080/CTFTTE.2024.09.555757.
[2] N. Nuryati, D. N. Mastuti, H. Hariyanti, M. Sulistyowati, and N. Herawati, “Pelatihan Dan Pendampingan Daur Ulang Limbah Perca Batik Menjadi Kalung Cantik Pada UMKM Dan Masyarakat Di Surakarta,†Wasana Nyata, vol. 7, no. 1, pp. 30–38, 2023, doi: 10.36587/wasananyata.v7i1.1456.
[3] M. A. Burhan, A. Anusapati, and L. L. D. Morin, “Instalasi Eco Art Sebagai Media Kultivasi Mikroalga,†Panggung, vol. 31, no. 1, 2021, doi: 10.26742/panggung.v31i1.1539.
[4] S. Himmelsbach, “Sustainable Change: Recycling Strategies in Contemporary Art Practice,†ETC, vol. 88, pp. 18–19, 2009.
[5] A. R. Jones and P. Stallybrass, Renaissance clothing and the materials of memory: Introduction. 2017. doi: 10.4324/9781315094151-8
[6] Z. Wang and Y. Ma, “Study on the Semantic Expression of Woven Fiber Art Decoration,†Proc. 2021 5th Int. Semin. Educ. Manag. Soc. Sci. (ISEMSS 2021), vol. 571, no. Isemss, pp. 45–48, 2021, doi: 10.2991/assehr.k.210806.010.
[7] W. Huang, “Contemporary Texture Representation in Fiber Art,†Adv. Educ. Humanit. Soc. Sci. Res., vol. 7, no. 1, p. 573, 2023, doi: 10.56028/aehssr.7.1.573.2023.
[8] G. Luo, “The Application of Contemporary Fiber Art in the Construction of Plastic Art Space,†Proc. 7th Int. Conf. Arts, Des. Contemp. Educ. (ICADCE 2021), vol. 572, no. Icadce, pp. 188–192, 2021, doi: 10.2991/assehr.k.210813.033.
[9] A. Pramono, B. Azis, T. I. W. Primadani, and W. W. Putra, “Penerapan Upcycling Limbah Kain Perca Pada Kursi Flat-Pack,†Mintakat J. Arsit., vol. 23, no. 1, pp. 14–27, 2022, doi: 10.26905/jam.v23i1.6075.
[10] M. F. Ahmed and G. A. Alamry, “Combining Hand Printing and Patchwork Techniques to Create Printed Artefacts Based on Natural Forms for Sustainable Development,†vol. 23, no. July, pp. 48–71, 2024.
[11] H. S. Gurisik, “An Exemplary Project for the Sustainability of High Design Value Added Products by Using Textile Wastes,†vol. 4, no. 1, pp. 316–324, 2022.
[12] M. D. Stanescu, “State of the art of post-consumer textile waste upcycling to reach the zero waste milestone,†Environ. Sci. Pollut. Res., vol. 28, no. 12, pp. 14253–14270, 2021, doi: 10.1007/s11356-021-12416-9.
[13] A. Burns, “Rethinking Fabric: The Application of Fabric Manipulation Techniques in Fashion Design Education,†Int. J. Art Des. Educ., vol. 41, no. 1, pp. 66–80, 2022, doi: 10.1111/jade.12375.
[14] B. Di Mattina, “Private to Public: The Role of Architects in the Emergence of Textile and Fibre Art in Australia,†Fabrications, vol. 00, no. 00, pp. 1–24, 2024, doi: 10.1080/10331867.2024.2347006.
[15] R. Twist, Fiber Arts Now : Exhibition Catalog Fiber Arts Now : Exhibition Catalog. Pacific University Library, 2012.
[16] R. G. Harland, “Graphic design studies: what can it be? Following in Victor Margolin’s footsteps for possible answers,†DRS2020 Synerg., vol. 2, pp. 586–600, 2020, doi: 10.21606/drs.2020.372.
[17] L. Candy and E. Edmonds, “Practice-based research in the creative arts Foundations and Futures from the Front Line,†LEONARDO, vol. 51, no. 2, pp. 111–117, 2018, doi: 10.1162/LEON.
[18] R. L. Skains, “Creative Practice as Research: Discourse on Methodology,†Media Pract. Educ., vol. 19, no. 1, pp. 82–97, 2018, doi: 10.1080/14682753.2017.1362175.
[19] P. Dallow, “Representing creativeness : practice-based approaches to research in creative arts,†Art, Des. Commun. High. Educ., vol. 2, no. 1, pp. 49–66, 2003. doi: 10.1386/adch.2.1.49/0
[20] M. Kooroshnia, D. Dumitrescu, and J. Rijkers, “The influence of colour mixtures on the textural perception of surface design: Deciphering textile methodology in the field of bioplastic design,†Color Res. Appl., vol. 46, no. 3, pp. 546–556, 2021, doi: 10.1002/col.22648.
[21] N. Wang, S. Z. Abidin, N. Shaari, and N. Mansor, “Exploring Innovation in Visual Language of Modern Fiber Art within the New Media Landscape,†Asian J. Res. Educ. Soc. Sci., vol. 5, no. 3, pp. 177–183, 2023, doi: 10.55057/ajress.2023.5.3.19.
[22] L. Shen, J. Haufe, and M. K. Patel, “Product overview and market projection of emerging bio-based plastics,†Gr. Sci. Technol. Soc., no. June, p. 41, 2009.
[23] A.-A. Rusu, “Traditional textile art between sustainability and economic growth,†Rev. Appl. socio-economic Res., vol. 1, no. 2, pp. 160–166, 2011.
[24] A. K. R. Choudhury, Environmental impacts of denim washing. Elsevier Ltd, 2017. doi: 10.1016/B978-0-08-102043-2.00003-4
[25] R. M. Valianti, N. D. Lestari, M. Kristiawan, S. Danim, and R. N. Sasongko, “Utilization of waste fabric as a learning media to grow students’ entrepreneurial soul,†JPPI (Jurnal Penelit. Pendidik. Indones., vol. 8, no. 1, p. 116, 2022, doi: 10.29210/020221611.
[26] D. Moorhouse and D. Moorhouse, “Sustainable Design: Circular Economy in Fashion and Textiles,†Des. J., vol. 20, no. sup1, pp. S1948–S1959, 2017, doi: 10.1080/14606925.2017.1352713.
Refbacks
- There are currently no refbacks.
Copyright (c) 2025 Adam Wahida, Endri Sintiana Murni
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
___________________________________________________________
International Journal of Visual and Performing Arts
ISSN 2684-9259
Published by Association for Scientific Computing Electronics and Engineering (ASCEE)
W: http://pubs2.ascee.org/index.php/viperarts
E: sularso@ascee.org
Organized by:
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0