Utilization of empon-empon stem waste in the creation of eco-friendly homeware products

(1) * Sumarno Sumarno Mail (Fakultas Seni Rupa dan Desain Institut Seni Indonesia Surakarta, Jawa Tengah, Indonesia)
(2) Raden Ersnathan Budi Prasetyo Mail (Fakultas Seni Rupa dan Desain Institut Seni Indonesia Surakarta, Jawa Tengah, Indonesia)
(3) Agung Cahyana Mail (Fakultas Seni Rupa dan Desain Institut Seni Indonesia Surakarta, Jawa Tengah, Indonesia)
(4) Catur Sugiarto Mail (Universitas Sebelas Maret, Surakarta, Jawa Tengah, Indonesia)
*corresponding author

Abstract


Empon-empon stems, considered agricultural waste, present an untapped resource for crafting natural fiber products. While materials like banana stems, water hyacinth, and jute are commonly used for this purpose, empon-empon stems offer a novel alternative. This study explores the potential of empon-empon stems in creating ropes and other homeware products, aiming to not only reduce agricultural waste but also to provide additional income streams for farmers. The research methodology involves a comprehensive process of harvesting, separating, drying, and twisting empon-empon stems into rope. Additionally, a design-driven material (DDM) approach is employed to convert the rope into various products such as baskets, planter stands, and trays. The DDM approach includes analyzing material characteristics, visual exploration, creating shop drawings, and producing prototypes. The results demonstrate that empon-empon rope products are not only functional and aesthetically pleasing but also carry a unique aroma, adding to their appeal. These products have the potential to address the shortage of natural fibers in the craft industry and can serve as an alternative material for interior design applications. In conclusion, this research highlights the feasibility of utilizing empon-empon stems as a sustainable material for crafting innovative homeware products. By transforming agricultural waste into valuable goods, this approach contributes to both environmental sustainability and economic development in rural areas.

Keywords


Empon-empon stems; Agricultural waste; Natural fibers; Crafting; Sustainability

   

DOI

https://doi.org/10.31763/viperarts.v6i1.1338
      

Article metrics

10.31763/viperarts.v6i1.1338 Abstract views : 155 | PDF views : 60

   

Cite

   

Full Text

Download

References


[1] W. N. Setzer, L. Duong, A. Poudel, and S. R. Mentreddy, “Variation in the Chemical Composition of Five Varieties of Curcuma longa Rhizome Essential Oils Cultivated in North Alabama,” Foods, vol. 10, no. 2, p. 212, Jan. 2021, doi: 10.3390/foods10020212.

[2] A. M. Neyrinck et al., “Curcuma longa extract associated with white pepper lessens high fat diet-induced inflammation in subcutaneous adipose tissue,” PLoS One, vol. 8, no. 11, pp. 1–10, 2013, doi: 10.1371/journal.pone.0081252.

[3] N. S. Dosoky and W. N. Setzer, “Chemical composition and biological activities of essential oils of curcuma species,” Nutrients, vol. 10, no. 9, pp. 10–17, 2018, doi: 10.3390/nu10091196.

[4] H. Kim, D.-J. Kim, S. N. Karthick, K. V Hemalatha, and C. J. Raj, “Curcumin Efficient Dye-Sensitized Solar Cells,” Int. J. Electrochem. Sci., vol. 8, pp. 8320–8328, 2013. doi: 10.1016/S1452-3981(23)12891-4

[5] F. Muhlisah, Temu-temuan dan Empon-empon, Budidaya dan Manfaatnya. Yogyakarta: Kanisius, 1999.

[6] S. Nardiati, “Komponen Makna Leksem Berkonsep Empon-Empon Dalam Bahasa Jawa.,” Widyaparwa, vol. 45, no. 2, pp. 165–180, 2017, doi: 10.26499/wdprw.v45i2.233.

[7] N. Novira, N. Berutu, and N. Hasanah, “Marginalization of Farmers in Indonesia,” no. June, 2019, doi: 10.2307/1238804.

[8] Sumarno, Dharsono, and N. . A. Chandra, Jerami Bahan Alternatif Desain Mebel dan Kerajinan. Yogyakarta: Deeppublish, 2021.

[9] S. Sumarno, A. T. Tellu, and A. Cahyana, “Split waste from rattan industry? Crafted product and furniture industry fiber bar,” Int. J. Health Sci. (Qassim)., pp. 351–366, 2022, doi: 10.53730/ijhs.v6ns4.5520.

[10] Sumarno, “Metode Pembuatan Bilah Serat Rotan dari Limbah Sisa Produksi,” S00202111813, 2021.

[11] S. N. Chattopadhyay, N. C. Pan, A. N. Roy, and K. K. Samanta, “Pretreatment of jute and banana fibre—its effect on blended yarn and fabric,” J. Nat. Fibers, vol. 17, no. 1, pp. 75–83, Jan. 2020, doi: 10.1080/15440478.2018.1469450.

[12] K. Z. M. A. Motaleb, R. Al Mizan, and R. Milašius, “Development and characterization of eco-sustainable banana fiber nonwoven material: surface treatment, water absorbency and mechanical properties,” Cellulose, vol. 27, no. 14, pp. 7889–7900, Sep. 2020, doi: 10.1007/s10570-020-03343-y.

[13] A. N. Komariah, “Pengaruh Klaster Kerajinan enceng Gondok Klinting Terhadap Sumber Daya Manusia sekitar Rawa Pening,” DESKOVI Art Des. J., vol. 2, no. 1, p. 5, Jun. 2019, doi: 10.51804/deskovi.v2i1.404.

[14] I. N. Dewi, S. A. Awang, W. Andayani, and P. Suryanto, “Karakteristik Petani dan Kontribusi Hutan Kemasyarakatan (HKm) Terhadap Pendapatan Petani di Kulon Progo,” J. Ilmu Kehutan., vol. 12, no. 1, p. 86, Mar. 2018, doi: 10.22146/jik.34123.

[15] R. Widiastuti, D. K. Syabana, and Y. Satria, “Pengolahan Batang Kudzu Menjadi Bahan Baku Serat Untuk Produk Kerajinan,” pp. 31–40, 2015. doi: 10.22322/dkb.v32i1.1171

[16] T. Wahyudi, C. Kasipah, and D. Sugiyana, “Ekstraksi Serat Bambu Dari Bambu Tali ( Gigantochloa Extraction Of Fiber From Bamboo ( Gigantochloa Apus ),” Arena Tekst., vol. 32, no. 2, pp. 95–102, 2015, doi: 10.31266/at.v30i2.1958.

[17] D. K. Syabana and R. Widiastuti, “Karakteristik Fisik Pada Serat Pelepah Nipah ( Nypa fruticans ) Physical,” Din. Kerajinan dan Batik, vol. 35, no. 7, pp. 9–14, 2018. doi: 10.22322/dkb.v35i1.3771

[18] Y. Syabana, Widiastuti, R. D, W. Yudi, Syabana, and D. K. R, “Aplikasi Zat Warna Alam Pada Tenunan Serat Doyo Untuk Produk Kerajinan,” Din. Kerajinan dan Batik, vol. 31, no. 1, pp. 45 – 52, 2013.

[19] M. Hossain, S. Park, and S. Shahid, “Frugal innovation for sustainable rural development,” Technol. Forecast. Soc. Change, vol. 193, p. 122662, Aug. 2023, doi: 10.1016/j.techfore.2023.122662.

[20] C. Wan, G. Q. Shen, and S. Choi, “Waste Management Strategies for Sustainable Development,” in Encyclopedia of Sustainability in Higher Education, Cham: Springer International Publishing, 2019, pp. 2020–2028. doi: 10.1007/978-3-030-11352-0_194

[21] D. Cropley, “The Role of Creativity as a Driver of Innovation,” in 2006 IEEE International Conference on Management of Innovation and Technology, 2006, vol. 2, pp. 561–565, doi: 10.1109/ICMIT.2006.262281.

[22] A. Astrom and C. Astrom, “Art and Science of Rope,” in Handbook of the Mathematics of the Arts and Sciences, Cham: Springer International Publishing, 2021, pp. 409–442. doi: 10.1007/978-3-319-57072-3_15

[23] K. Z. M. A. Motaleb, R. Al Mizan, and R. Milašius, “Development and characterization of eco-sustainable banana fiber nonwoven material: surface treatment, water absorbency and mechanical properties,” Cellulose, vol. 27, no. 14, pp. 7889–7900, Sep. 2020, doi: 10.1007/s10570-020-03343-y.

[24] C. A. W, “Budidaya Tanaman Kunyit (Curcuma domestica Val) dan Khasiatnya sebagai Obat Tradisional di PT. Indmitra Citra Tani Nusantara Jl. Kaliurang KM. 16.3, Sleman, Yogyakarta.,” Surakarta, 2012.

[25] S. Suhartono, “Komoditas Unggulan Potensial Jenis Empon-Empon Untuk Meningkatkan Produktivitas Hutan Rakyat Di Ciamis Jawa Barat,” ULIN J. Hutan Trop., vol. 5, no. 2, pp. 116–121, Sep. 2021, doi: 10.32522/ujht.v5i2.5354.

[26] Bram Palgunadi, Desain Produk 2: Analisis dan Konsep Desain. Bandung: Penerbit ITB, 2008.

[27] S. Sumarno, D. Dharsono, and N. R. A. C. Dwi Atmaja, “Utilization of Straw in Furniture Design,” Artist. Int. J. Creat. Innov., vol. 2, no. 1, pp. 69–81, Dec. 2021, doi: 10.33153/artistic.v2i1.3413.

[28] W. S. W. Tseng and L. J. Ball, “How Uncertainty Helps Sketch Interpretation in a Design Task,” in Design Creativity 2010, London: Springer London, 2011, pp. 257–264. doi: 10.1007/978-0-85729-224-7_33

[29] J. C. Roberts, C. Headleand, and P. D. Ritsos, “Sketching Designs Using the Five Design-Sheet Methodology,” IEEE Trans. Vis. Comput. Graph., vol. 22, no. 1, pp. 419–428, Jan. 2016, doi: 10.1109/TVCG.2015.2467271.

[30] T. Tsandilas, A. Bezerianos, and T. Jacob, “Sketchsliders: Sketching widgets for visual exploration on wall displays,” in Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems, 2015, pp. 3255–3264, doi: 10.1145/2702123.2702129.

[31] B. D. Orthel and J. K. Day, “Processing beyond drawing: a case study exploring ideation for teaching design,” SAGE Open, vol. 6, no. 3, p. 215824401666328, Jul. 2016, doi: 10.1177/2158244016663285.

[32] Z. Zhao, W. Benjamin, N. Elmqvist, and K. Ramani, “Sketcholution: Interaction histories for sketching,” Int. J. Hum. Comput. Stud., vol. 82, pp. 11–20, Oct. 2015, doi: 10.1016/j.ijhcs.2015.04.003.

[33] D. D. Gumilang, S. Sumarno, and H. Sulistiyani, “Interior Revitalization of Indonesian National Building Gresik with Art Deco Themed Damar Kurung,” Pendhapa, vol. 12, no. 2, pp. 52–62, Dec. 2021, doi: 10.33153/pendhapa.v12i2.4081.

[34] T. J. Howard, S. J. Culley, E. Dekoninck, and I. Manufacturing, “Describing the creative design process by the integration of engineering design and cognitive psychology literature,” pp. 160–180, 2008, doi: 10.1016/j.destud.2008.01.001.

[35] P. Galle and L. B. Kovács, “Introspective observations of sketch design,” Des. Stud., vol. 13, no. 3, pp. 229–272, 1992, doi: 10.1016/0142-694X(92)90208-R.


Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Sumarno Sumarno, Raden Ersnathan Budi Prasetyo, Agung Cahyana, Catur Sugiarto

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

___________________________________________________________
International Journal of Visual and Performing Arts
ISSN 2684-9259
Published by Association for Scientific Computing Electronics and Engineering (ASCEE)
W: http://pubs2.ascee.org/index.php/viperarts
E: sularso@ascee.org
Organized by:

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0

Viperarts Stats