Revealing fantasy consumption on social media, how women read romantic novel on Wattpad app

(1) * Fatma Dian Pratiwi Mail (Universitas Islam Negeri Sunan Kalijaga, Indonesia)
*corresponding author

Abstract


This article aims to reveal how fantasy is consumed on social media, in the context of this research, Wattpad. That is an application that specializes in producing and consuming works of fiction in the form of novels and short stories. This research has a qualitative paradigm and collects data using in-depth interviews and documentation. Novel reading din this research, entitled The Mischievous Mrs. Maxfield, a novel with romantic genre, is then analyzed from the perspective of Psychoanalysis using Fantasy theory. There were two women who were resource persons and had different characters and backgrounds. From the research conducted, it was concluded that the fulfilment of fantasy was not fully carried out by informant X and Y, because according to them, there were other novels that could better fulfil their fantasies than this novel. In addition, the two informants felt that the theme raised in this novel was too exaggerated because it involved the forced marriage of women who were still underage.


Keywords


Fantasy; Consuming; Romantic Novel; Wattpad; The Mischievous Mrs Maxfield

   

DOI

https://doi.org/10.31763/ijcs.v4i2.842
      

Article metrics

10.31763/ijcs.v4i2.842 Abstract views : 1471 | PDF views : 636

   

Cite

   

Full Text

Download

References


[1] R. Lefere, “Entre no-ficción y novela histórica: ambigüedad y eficacia en ‘Noviembre’, de Jorge Galán,” An. Lit. Hispanoam., vol. 49, pp. 269–274, Dec. 2020, doi: 10.5209/alhi.73129.

[2] J. A. Radway, “Women read the romance: The interaction of text and context,” Fem. Stud., vol. 9, no. 1, pp. 53–78, 1983.

[3] L. Hansson, “Stereotypes below the Surface : A Comparative Study of Three Popular Young Adult Novels in the Romantic Fantasy Genre,” 2016.

[4] B. Ott, “Introducing Critical Media Studies,” Crit. Media Stud. An Introd., no. December, pp. 1–18, 2009.

[5] N. Shafik Ramzy, “Visual language in Mamluk architecture: A semiotic analysis of the Funerary Complex of Sultan Qaitbay in Cairo,” Front. Archit. Res., vol. 2, no. 3, pp. 338–353, 2013, doi: 10.1016/j.foar.2013.05.003.

[6] M. Nabil Guirguis, K. M. Dewidar, S. M. Kamel, and M. F. Iscandar, “Semiotic analysis of contemporary Coptic Orthodox church architecture; A case study of Virgin Mary and Saint John the Baptist church in Bab El Louk, Cairo, Egypt,” Ain Shams Eng. J., vol. 9, no. 4, pp. 3093–3101, 2018, doi: 10.1016/j.asej.2018.03.006.

[7] H. Goharipour, “Narratives of a lost space: A semiotic analysis of central courtyards in Iranian cinema,” Front. Archit. Res., vol. 8, no. 2, pp. 164–174, 2019, doi: 10.1016/j.foar.2019.01.004.

[8] A. Zotin, M. Favorskaya, A. Proskurin, and A. Pakhirka, “Study of digital textual watermarking distortions under Internet attacks in high resolution videos,” Procedia Comput. Sci., vol. 176, pp. 1633–1642, 2020, doi: 10.1016/j.procs.2020.09.187.

[9] N. Latini, I. Bråten, and L. Salmerón, “Does reading medium affect processing and integration of textual and pictorial information? A multimedia eye-tracking study,” Contemp. Educ. Psychol., vol. 62, no. April, p. 101870, 2020, doi: 10.1016/j.cedpsych.2020.101870.

[10] A. Jirattikorn, “Between ironic pleasure and exotic nostalgia: audience reception of Thai television dramas among youth in China,” Asian J. Commun., vol. 31, no. 2, pp. 124–143, Mar. 2021, doi: 10.1080/01292986.2021.1892786.

[11] K. C. Schrøder, “Audience Reception Research in a Post-broadcasting Digital Age,” Telev. New Media, vol. 20, no. 2, pp. 155–169, Feb. 2019, doi: 10.1177/1527476418811114.

[12] R. Gill and E. Herdieckerhoff, “Rewriting the romance,” Fem. Media Stud., vol. 6, no. 4, pp. 487–504, 2006, doi: 10.1080/14680770600989947.

[13] C.-A. Farkas, “Chick-Lit: The New Woman’s Fiction,” J. Pop. Cult., vol. 39, no. 5, pp. 902–903, 2006, doi: 10.1111/j.1540-5931.2006.00314.x.

[14] K. Kasno and E. N. Mujiningsih, “Chick Lit Dalam Dunia Sastra Indonesia,” Pujangga, vol. 2, no. 1, p. 121, 2018, doi: 10.47313/pujangga.v2i1.382.

[15] L. Wang, “Analysis of the characteristics and translation skills of american slang in the big bang theory,” Theory Pract. Lang. Stud., 2020, doi: 10.17507/tpls.1010.09.

[16] M. Y. Kardiansyah, “Wattpad as a Story Sharing Website; Is it a field of literary production?,” ELLiC Proc., vol. 3, no. April, pp. 419–426, 2019.

[17] E. M. Lassila, “‘Free’-to-play game: Governing the everyday life of digital popular culture,” Crit. Perspect. Account., vol. 87, no. February, p. 102434, 2022, doi: 10.1016/j.cpa.2022.102434.

[18] O. D. Okocha and A. Ebi, Oghegbuan, “Social Media Influence on Popular Culture,” no. August, 2022.

[19] I. Rets, “Teachers⿿ Perceptions on Using Popular Culture when Teaching and Learning English,” Procedia - Soc. Behav. Sci., vol. 232, no. April, pp. 154–160, 2016, doi: 10.1016/j.sbspro.2016.10.040.

[20] W. Gmbh and A. Studies, “Why Is American Popular Culture so Popular ? A View from Europe Author ( s ): Berndt Ostendorf Source : Amerikastudien / American Studies , 2001 , Vol . 46 , No . 3 , Popular Culture Published by : Universitätsverlag WINTER Gmbh Stable URL : http://www.js,” vol. 46, no. 3, pp. 339–366, 2001.

[21] R. Mitra and J. P. Fyke, “Popular Culture and Organizations,” Int. Encycl. Organ. Commun., no. February, pp. 1–12, 2017, doi: 10.1002/9781118955567.wbieoc164.

[22] S. Lee and B. Bai, “Influence of popular culture on special interest tourists’ destination image,” Tour. Manag., vol. 52, pp. 161–169, Feb. 2016, doi: 10.1016/j.tourman.2015.06.019.

[23] L. Dimitrova, V. Fernando, E. M. Vissia, E. R. S. Nijenhuis, N. Draijer, and A. A. T. S. Reinders, “Sleep, trauma, fantasy and cognition in dissociative identity disorder, post-traumatic stress disorder and healthy controls: a replication and extension study,” Eur. J. Psychotraumatol., vol. 11, no. 1, p. 1705599, Dec. 2020, doi: 10.1080/20008198.2019.1705599.

[24] D. C. Knudsen, J. M. Rickly, and E. S. Vidon, “The fantasy of authenticity: Touring with Lacan,” Ann. Tour. Res., vol. 58, pp. 33–45, 2016, doi: 10.1016/j.annals.2016.02.003.

[25] R. Watt, “The fantasy of carbon offsetting,” Env. Polit., vol. 30, no. 7, pp. 1069–1088, Nov. 2021, doi: 10.1080/09644016.2021.1877063.

[26] N. Denzin, The Sage Handbook of Qualitative Research 1 (Edisi Ketiga). Yogyakarta: Pustaka Pelajar, 2011.

[27] A. De Fina, “The ethnographic interview,” in The Routledge Handbook of Linguistic Ethnography, Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2020. |: Routledge, 2019, pp. 154–167.

[28] E. A. Adjoteye, M. Y. Saragih, and M. Ridwan, “Methodological Approaches to Reception Analysis Research in Ghanaian Media Studies,” Budapest Int. Res. Critics Inst. Humanit. Soc. Sci., vol. 4, no. 1, pp. 1545–1551, 2021, doi: 10.33258/birci.v4i1.1786.

[29] C. Cassell, Conducting Research Interviews for Business and Management Students. 1 Oliver’s Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2015.

[30] J. W. Creswell, Research Design Qualitative, Quantitative, and Mixed Methods Approaches, 4th ed. California: SAGE Publications Ltd, 2014.


Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Fatma Dian Pratiwi

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

International Journal of Communication and Society  
ISSN 2684-9267
Published by Association for Scientific Computing Electronics and Engineering (ASCEE)
W : http://pubs2.ascee.org/index.php/ijcs
E : dani@ascee.org

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

View My Stats